WOO, 2014, (ART11)
This variant is currently sold out.
Digital print on cotton / polyester
Unique artwork on each side
20 x 20 ins / 50.8 x 50.8 cm
Lives and works in London, UK
- Limited Edition
- Feather down insert (optional)
- Ships within 5-7 days
- Shipping costs included with each order
- Customs and other fee may apply. Please contact us with questions.
- Returns and exchanges are accepted. Please visit HERE for more info.
Juergen Teller is considered one of the most important contemporary photographers of our time and is one of the few artists who has managed to operate successfully both in the art world and at the center of the commercial sphere.
Teller entered the London photography scene through the music industry, taking photographs for record covers of artists including Björk, Cocteau Twins, PJ Harvey, Courtney Love and Sinead O’Connor. Teller’s photographs first appeared in the late 80’s and included portraits of Kate Moss when she was just 15, spearheading the shift that was to follow in the representation of beauty and fashion. In the early 90’s he photographed Nirvana backstage and started a decade-long relationship capturing the behind the scenes at Helmut Lang’s fashion shows. Teller’s provocative interventions in conventional celebrity portraiture are apparent in works such as a photograph of Victoria Beckham, in which we only see her bare, high-heeled legs flopping over the side of a Marc Jacobs shopping bag. Vivienne Westwood reclines nude on a floral settee in a startling triptych whilst Björk and her son swim in the Blue Lagoon in an intimate portrait. Subverting the conventional relationship of the artist and model, Teller himself often figures as the muse in his photographs, seen for example in the Louis XV series with Charlotte Rampling. Whatever the setting, all his subjects collaborate in a way that allows for the most surprising poses and emotional intensity.
His more personal work consist of capsuled series of intimate family moments, including Ed in Japan which compellingly records a trip with his wife Sadie Coles and their then baby son, Irene im Wald, shot in the forest with his mother in his hometown of Erlangen, and Keys to the House, photographed in the British countryside. Driven by a desire to tell a story in every picture he takes, Teller has shaped his own distinct and instantly recognizable style, which combines humor, self-mockery, emotional honesty and raw emotion.