34.9 x 30.2 cm
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Richard Phillips’s new work hinges on the self-awareness of real-life subjects, using collaborative forms of image production to reorder the relationship of pop art to its subjects. For Richard Phillips, critique is as much an intrinsic material in the conception and staging of his work as the materials of their making. His conflating of subject and genre continues to provide challenging commentary on the condition and reach of contemporary art. His first two films, Lindsay Lohan (2011) and Sasha Grey (2011), are erotically posed "motion portraits."